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(单词翻译:双击或拖选)
SACHA PFEIFFER, HOST:
When Cathy Guisewite's comic strip "Cathy" hit newspapers in 1976, it struck a chord with a lot of women. Fans identified with the character's self-deprecating humor and relentless1 insecurity about her looks, her weight and, most of all, men. Now Guisewite has a new book of essays that expands on some of the themes she explored in her comic strip. It's called "Fifty Things that Aren't My Fault." And NPR's Lynn Neary caught up with Guisewite in New York City.
LYNN NEARY, BYLINE2: Cathy Guisewite was celebrating a birthday. She had set a table in her hotel room complete with flowers, cupcakes and place cards, hand drawn3 with the image of her famous character Cathy. But it wasn't Guisewite's birthday.
CATHY GUISEWITE AND LYNN NEARY: (Singing) Happy birthday...
CATHY GUISEWITE: (Singing) ...To "Fifty Things that Aren't My Fault."
NEARY: (Laughter).
GUISEWITE: (Singing) Happy birthday to the book.
NEARY: Excellent.
GUISEWITE: Thank you.
NEARY: I don't believe you're really going to eat a cupcake (laughter).
GUISEWITE: I'm really going to eat a cupcake - eat this one right here.
NEARY: For all the jokes Guisewite made over the years about her character's obsession4 with food and weight, she herself is tiny. Though, she swears she was 40 pounds heavier when she got out of college. Guisewite says she argued against naming her comic strip "Cathy" because she didn't want people to think the character was based on her own life, even though it was.
GUISEWITE: I'll say that Cathy was kind of my heart. Other stronger characters in the strip, like Andrea, were more my brain. But Cathy was kind of my heart. That was me.
NEARY: Before she started "Cathy," Guisewite had a successful career in advertising5 - eager to take advantage of the new opportunities opening up for women. But she felt caught between what she calls the two Bettys - the 1950s icon6 of the ideal homemaker, Betty Crocker, and the new, vibrant7 feminist8 voice of Betty Friedan. She wanted what both had to offer.
GUISEWITE: I wanted a career. I wanted my independence. I wanted to put off marriage and children, you know, and have my own success. But I also really wanted a boyfriend. You know, I was in my mid-20s. I wanted somebody to love me.
NEARY: Guisewite found an outlet9 for her insecurities in the comic strip. She was not alone in feeling unsure of her footing in the new world that had been opened by feminism. The comic strip was immensely popular. But there was also a backlash. In her new book, Guisewite defends herself against her critics.
GUISEWITE: (Reading) Some people thought my work reinforced the negative stereotype10 of women being obsessed11 with shopping, weight and love. But it wasn't my fault we still live in a world that partly judges women by what we wear, how much we weigh and whether or not and who or how we love - not my fault that with every new glorious possibility for women came an extra sense of isolation12 when we not only couldn't keep up but were told we shouldn't talk about the things that held us back.
NEARY: Guisewite retired13 the comic strip in 2010, when she needed more time for her aging parents and her teenage daughter. As she commuted14 between the two, she jotted15 down her thoughts, which is how the book began.
GUISEWITE: When I started writing these essays, it was like coming home and taking off the Spanx. This was so liberating16. I loved getting to write longer and more thoughtfully about a lot of the same things I wrote about in the strip.
NEARY: Guisewite still uses humor to sift17 through her feelings. And she still obsesses18 over food and clothes and the people she loves. But she hopes she's gained some wisdom that she can share with a very different generation of women.
UNIDENTIFIED PERSON #1: Are you guys getting books?
UNIDENTIFIED PERSON #2: Yes. We're going to buy books.
NEARY: Young women lined up to meet Guisewite after a book event at The Wing in New York's Soho neighborhood. The Wing is a communal19 workspace and a kind of social club for women only. This generation has inherited the feminism that was brand-new when Guisewite was young. Stephanie Roman says they're still dealing20 with some of the same issues.
STEPHANIE ROMAN: I'm a body image coach. So the whole theme about food and dieting and trying to accept ourselves and willpower and lack of willpower - whatever it might be - is still definitely a big thread in my life, for sure.
NEARY: A lot of these women remember reading the "Cathy" comic strip as kids. Jessica Schwartz sports a Cathy button that reads, I don't have time for this midlife crisis.
JESSICA SCHWARTZ: Cathy was such a real-seeming woman - I mean, screaming and pulling her hair out and freaking out about tiny things. Literally21, the most relatable comic character ever.
NEARY: And does it really speak to you now, now that you're having a midlife crisis?
SCHWARTZ: Heck yeah.
(LAUGHTER)
NEARY: As Schwartz approaches Guisewite, she pulls something out of her bag. It's a cake pan in the shape of Cathy's face.
SCHWARTZ: I just wanted to show you.
GUISEWITE: Oh, my God. You have the cake pan.
SCHWARTZ: The cake pan.
GUISEWITE: You have the cake pan.
SCHWARTZ: And I brought these pictures...
GUISEWITE: Oh...
SCHWARTZ: ...Of some cakes I've made...
GUISEWITE: ...My.
SCHWARTZ: ...Over the years.
UNIDENTIFIED PERSON #3: Those are good.
SCHWARTZ: (Laughter).
GUISEWITE: Those are great.
SCHWARTZ: I've made them for birthdays, baby showers.
GUISEWITE: (Laughter).
SCHWARTZ: This is a meatloaf I made in the pan.
NEARY: Guisewite is clearly delighted "Cathy" means so much to these young women. She hopes her book, like "Cathy," will feel like someone's best friend, the kind of friend who knows exactly what to say when you need some reassurance22.
GUISEWITE: I know just how you feel. It doesn't mean you're inadequate23. It just means you had a bad day with a, you know - with the frozen chocolate at the back of the freezer.
NEARY: Guisewite's advice for the young - never lose your sense of humor.
Lynn Neary, NPR News, Washington.
(SOUNDBITE OF THE SEA AND CAKE SONG, "ANY DAY")
1 relentless | |
adj.残酷的,不留情的,无怜悯心的 | |
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2 byline | |
n.署名;v.署名 | |
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3 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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4 obsession | |
n.困扰,无法摆脱的思想(或情感) | |
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5 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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6 icon | |
n.偶像,崇拜的对象,画像 | |
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7 vibrant | |
adj.震颤的,响亮的,充满活力的,精力充沛的,(色彩)鲜明的 | |
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8 feminist | |
adj.主张男女平等的,女权主义的 | |
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9 outlet | |
n.出口/路;销路;批发商店;通风口;发泄 | |
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10 stereotype | |
n.固定的形象,陈规,老套,旧框框 | |
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11 obsessed | |
adj.心神不宁的,鬼迷心窍的,沉迷的 | |
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12 isolation | |
n.隔离,孤立,分解,分离 | |
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13 retired | |
adj.隐退的,退休的,退役的 | |
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14 commuted | |
通勤( commute的过去式和过去分词 ); 减(刑); 代偿 | |
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15 jotted | |
v.匆忙记下( jot的过去式和过去分词 );草草记下,匆匆记下 | |
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16 liberating | |
解放,释放( liberate的现在分词 ) | |
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17 sift | |
v.筛撒,纷落,详察 | |
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18 obsesses | |
v.时刻困扰( obsess的第三人称单数 );缠住;使痴迷;使迷恋 | |
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19 communal | |
adj.公有的,公共的,公社的,公社制的 | |
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20 dealing | |
n.经商方法,待人态度 | |
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21 literally | |
adv.照字面意义,逐字地;确实 | |
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22 reassurance | |
n.使放心,使消除疑虑 | |
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23 inadequate | |
adj.(for,to)不充足的,不适当的 | |
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