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(单词翻译:双击或拖选)
In 'Her Smell,' Elisabeth Moss1 'Turned It Up To 11,' Then Turned It Up Some More
STEVE INSKEEP, HOST:
A new movie features an actress better known for TV. Fans of "Mad Men" and "The Handmaid's Tale" will know Elisabeth Moss. In "Mad Men," she played Peggy Olson, a determined2 copywriter at a male-dominated advertising3 firm.
(SOUNDBITE OF TV SHOW, "MAD MEN")
ELISABETH MOSS: (As Peggy Olson) I don't know if you're aware, but I brought in the Popsicle account today - on my own.
INSKEEP: In her new film, Moss plays a very different kind of role.
(SOUNDBITE OF FILM, "HER SMELL")
MOSS: (As Becky Something) So enough with this jibber-jabber, and let's rock. And that sums it up in one big lump...
INSKEEP: This movie is called "Her Smell." It was written and directed by Alex Ross Perry. We should mention the studio, Gunpowder4 & Sky, is among NPR's financial supporters. Now, the film imagines the chaotic5 life of a drug-addled musician. Moss plays Becky Something, the lead singer of a fictitious6 all-female punk band in the '90s. She joined Rachel Martin to talk about the part.
MOSS: Becky Something is a toxic7 personality sort of dealing8 with a lot of her own issues and demons9. But I think we've all kind of experienced that kind of person who we just - you know, somehow you can't get away from them. They're very interesting, but they're not good for you.
RACHEL MARTIN, BYLINE10: Yeah. There is a manic intensity11 to, I mean, everything she does. And the film does such a good job of creating that frenzy12 from the very beginning. I mean, it's just, like, nonstop, just crazy.
(SOUNDBITE OF FILM, "HER SMELL")
MOSS: (As Becky Something) I got to get out of here. I got to go to Becky's room. Stinks13 of [expletive]. I bid you ado. And hibida, hibida, hibida. That's all, folks.
UNIDENTIFIED ACTOR: (As character) Oh, geez.
MARTIN: I mean, was that hard? Where did that come from?
MOSS: Well, it was on the page. And so I...
MARTIN: It was on the page? That's not ad-libbing?
MOSS: Oh, no, no, no. There's pretty much zero improv or ad-lib. And that's kind of - one of the things that Alex did was he wrote this character who had these long monologues14, who spoke15 in this stream of consciousness. But it was incredibly specific. It was the hardest dialogue I've ever had to learn because if you - even though it sounds like rambling16, even though it sounds like it doesn't make sense, if you change a word or if you flip17 two sentences, it actually really doesn't make sense. So it really had to be pretty much spot on.
MARTIN: Hibida hibida was on the page?
MOSS: A hundred percent.
MARTIN: (Laughter).
MOSS: I mean, I think he threw every pop culture reference previous to the early '90s that he could throw in there.
(LAUGHTER)
MOSS: Most of which I didn't know or understand.
MARTIN: I was just going to ask you, is that your time and was this your music?
MOSS: No, I mean, I was born in '82. So I sort of missed this. I missed the '90s music.
MARTIN: You had music growing up, right? Your parents were musicians?
MOSS: Yeah, but much more in jazz and blues18. I learned the piano a little bit when I was little because it was just sort of, like, required. But no, because I was a dancer and an actor, I didn't really have time to also (laughter) learn an instrument.
MARTIN: Did you then need to work on playing the piano and just the musicality of the character - singing, guitar?
MOSS: Yeah, I mean, I learned the guitar. I practiced for about four or five months, I guess. I was not going to become a guitarist. But I just needed to learn how to look like I was playing these songs. The piano was the one I did actually have to learn because that was one take live, from beginning to end. But it was a very, very simple version of Bryan Adams', "Heaven."
(SOUNDBITE OF FILM, "HER SMELL")
MOSS: (As Becky Something, singing) Oh, thinking about all our younger years. There was only you and me. We were young and wild and free...
MARTIN: It's great scene. You're playing a song for your daughter.
MOSS: Yeah. And she sort of abandoned her daughter. She is an alcoholic19 and a drug addict20 and recovering and trying to repair her relationship.
MARTIN: It's the most beautiful - no offense21 to Bryan Adams, but it's a great version of that song. (Laughter).
MOSS: Oh, thank you. Yes, I like to think it's better. No, (laughter) I think Bryan Adams is not going to be threatened by my performance.
MARTIN: (Laughter).
(SOUNDBITE OF FILM, "HER SMELL")
MOSS: (As Becky Something, singing) Baby, you're all that I want. When you're laying here in my arms. I'm finding it hard to believe. We're in heaven.
MARTIN: There's this energy between you and the young actor who's playing your daughter. And I did, in that moment, think as I was watching it, how do you act that? How do you act through playing the piano when it's not natural to you?
MOSS: Well, what's interesting about that scene is just that I was sort of saved by where Becky is in the film because I think she is really nervous. And I, as an actor, was really nervous to play the song because it's not my forte22. And so it really didn't hurt that I was a little bit nervous myself.
MARTIN: Right, it actually played into the fact that they don't really know each other, these two people.
MOSS: Yeah, exactly.
MARTIN: What came out of that in terms of your own ambition? I mean, this was you. This was Elisabeth Moss. I mean, it was a beautiful script, but the number of minutes where it's just you on screen - either those monologues or your face - did you learn anything about your craft from this particular project?
MOSS: I didn't think about it that much. I just did it and just kind of went as big as I could and threw it all at the wall knowing that the - Alex and I knew that the only mistake we could make was not going far enough. And so we both just went for it.
(SOUNDBITE OF FILM, "HER SMELL")
MOSS: (As Becky Something) And you know what? That's why I'm leaving because when I needed it, nobody ever put a hand on my back and told me it was going to be all right.
MARTIN: Did he ever have to pull you back? I mean, did it ever feel too far? Or you're like, nope.
MOSS: No.
MARTIN: That's where it should be.
MOSS: So we started with act one. And I remember basically him just being like, faster, faster, faster. And I was like, OK, OK, OK. And we got there. And by the time we got to, like, act three, where she's just truly lost her mind and is high on so many things, I had turned it up to 11 and then realized I had to go even higher. (Laughter).
(SOUNDBITE OF FILM, "HER SMELL")
MOSS: (As Becky Something, screaming) Just a little thing. Just a little thing. (Collapses to floor).
UNIDENTIFIED ACTORS: (As characters, gasping).
MARTIN: What was it like for your co-stars, I mean, just to be in your energy?
MOSS: I felt bad for some of the people that I didn't know as well. I'm not really that good at being social on set. I'm not somebody who, like, sits around and chats because I just - it's too tiring for me. And I need to kind of conserve23 my energy.
So I only felt bad for people that I didn't really know as well. I remember Amber24 Heard came in and did a couple days. And I apologized to her at one point. I was like, I'm really sorry. Like, I just met you, and I'm not this person.
MARTIN: (Laughter).
MOSS: But everybody else was incredibly supportive, particularly Agy and Gayle, my bandmates. We had a real nice unit from the very beginning.
MARTIN: And that's clear. I mean, it's a subplot. But the nature of female friendship, too, is really strong in the film.
MOSS: Yeah, thank you. I think so. And the forgiveness that's possible.
MARTIN: Yeah.
MOSS: And also the generosity25 in sometimes saying, that's it; we're done.
MARTIN: Yeah...
MOSS: You know, especially with an addict, there's a point that you have to walk away. And both of those characters reach that point.
MARTIN: Elisabeth Moss, her new film is called "Her Smell." Thank you so much for talking with us.
MOSS: Thank you, I really appreciate it.
1 moss | |
n.苔,藓,地衣 | |
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2 determined | |
adj.坚定的;有决心的 | |
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3 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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4 gunpowder | |
n.火药 | |
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5 chaotic | |
adj.混沌的,一片混乱的,一团糟的 | |
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6 fictitious | |
adj.虚构的,假设的;空头的 | |
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7 toxic | |
adj.有毒的,因中毒引起的 | |
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8 dealing | |
n.经商方法,待人态度 | |
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9 demons | |
n.恶人( demon的名词复数 );恶魔;精力过人的人;邪念 | |
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10 byline | |
n.署名;v.署名 | |
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11 intensity | |
n.强烈,剧烈;强度;烈度 | |
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12 frenzy | |
n.疯狂,狂热,极度的激动 | |
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13 stinks | |
v.散发出恶臭( stink的第三人称单数 );发臭味;名声臭;糟透 | |
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14 monologues | |
n.(戏剧)长篇独白( monologue的名词复数 );滔滔不绝的讲话;独角戏 | |
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15 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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16 rambling | |
adj.[建]凌乱的,杂乱的 | |
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17 flip | |
vt.快速翻动;轻抛;轻拍;n.轻抛;adj.轻浮的 | |
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18 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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19 alcoholic | |
adj.(含)酒精的,由酒精引起的;n.酗酒者 | |
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20 addict | |
v.使沉溺;使上瘾;n.沉溺于不良嗜好的人 | |
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21 offense | |
n.犯规,违法行为;冒犯,得罪 | |
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22 forte | |
n.长处,擅长;adj.(音乐)强音的 | |
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23 conserve | |
vt.保存,保护,节约,节省,守恒,不灭 | |
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24 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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25 generosity | |
n.大度,慷慨,慷慨的行为 | |
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