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PEOPLE IN AMERICA - Lena Horne, 1917-2010: A Star Who Broke Racial Barriers
BARBARA KLEIN: I’m Barbara Klein.
STEVE EMBER: And I’m Steve Ember with PEOPLE IN AMERICA in VOA Special English. Today we remember the singer and actress Lena Horne. She helped break racial barriers by changing the way black women were represented in film. During her sixty-year career performing, Lena Horne electrified1 audiences with her beauty and rich, emotional2 voice. She used her fame to fight social injustices3 toward4 African-Americans.
(MUSIC)
BARBARA KLEIN: That was Lena Horne singing her most famous song, “Stormy Weather.” She sang this song in a nineteen forty-three musical movie of the same name. In the nineteen forties, Lena Horne was the first African-American in Hollywood to sign a long-term contract with a major movie studio. Her deal with MGM stated that she would never play the role of a servant.
During this period, African-American actors were mostly limited to playing servants or African natives. Lena Horne refused to play roles that represented African-Americans disrespectfully.
Singer and actress Lena Horne who broke racial barriers as a Hollywood and Broadway star |
STEVE EMBER: But this refusal5 also limited her movie career. Horne was generally only offered the role of a nightclub singer. Her characters did not interact6 with white characters in these movies. This way, her part could be cut from the version7 of the movie that played in the American South. During this time, racial separation laws were in effect in the South.
Lena Horne later wrote that the movie producers did not make her into a servant, but they did not make her into anything else either. She said she became a butterfly pinned down and singing away in Movieland.
BARBARA KLEIN: Lena Horne once said that World War Two helped make her a star. She was popular with both black and white servicemen. She sang on army radio programs and traveled to perform for the troops. During one event, she noted8 that German prisoners of war were permitted to sit closer to the stage than black soldiers. She criticized9 the way black soldiers were treated by the army. These experiences led to Lena Horne’s work in the civil rights movement.
Grammy Award winner Lena Horne poses10 with record producer Quincy Jonesand Dan Morgenstern of the National Academy11 of Recording12 Arts and Sciences |
LENA HORNE: “When I went to the South and met the kind of people who were fighting in such an unglamorous fashion, I mean, fighting to just get someplace to sit and get a sandwich. I felt close to that kind of thing because I had denied it and had been left away from it so long. And I began to feel such pain again.”
(MUSIC: “Nobody Knows the Trouble I’ve Seen”)
STEVE EMBER: Lena Mary Calhoun Horne was born in Brooklyn, New York in nineteen seventeen. Her mother, an actress, was away for much of Lena’s childhood. Lena’s grandmother helped raise her. Her grandmother was a social worker and women’s rights activist13.
At the age of sixteen, Lena found work as a dancer at the famous Cotton Club in New York City. After taking voice lessons, she soon began performing there as a singer.
BARBARA KLEIN: At the age of nineteen, Lena Horne moved to Pittsburgh, Pennsylvania and married Louis Jones. Her marriage did not last long. But she had two children, Gail and Edwin.
Lena Horne performs at the Sands Hotel in Las Vegas, Nevada in 1954 |
In nineteen forty, Lena Horne became the first African-American to travel and perform with an all-white jazz band. She also made records and performed at New York City’s Café Society jazz club. This was the first nightclub in the United States without racial separation. Many jazz clubs during this period had black performers. But few allowed black people to watch the shows in the audience.
STEVE EMBER: Lena Horne became very popular. After performing at a club in Hollywood, California, she caught the attention of filmmakers. She soon began making movies. Lena Horne said that she was able to make movies because she was the kind of black person that white people could accept. But she said this was the worst kind of acceptance14. It was for the way she looked, not for how good she was or how hard she worked.
Lena Horne at the 65th Annual Academy Awards ceremony in Los Angeles, California in 1993 |
BARBARA KLEIN: In nineteen forty-seven, Lena Horne married Lennie Hayton. He was a music writer for the MGM movie studio and was white. The couple married secretly in Paris, France. They did so because it was illegal at the time for people of different races to marry in the United States. They did not announce their marriage for three years. Lena Horne later said that she first became involved with Lennie Hayton because she thought he could be useful to her career. He could help get her into places that a black manager could not. But she says she began to love him because he was a nice man.
(MUSIC: “Can’t Help Lovin’ That Man of Mine”)
STEVE EMBER: Lena Horne’s movie career slowed down in the nineteen fifties. But she continued recording and performing live and on television. Her nineteen fifty-seven album, “Lena Horne at the Waldorf Astoria,” became a best-seller.
She also became increasingly15 involved in civil rights activities. She protested17 racial separation at the hotels where she performed. She took action so that she and her musicians would be permitted to stay in those hotels. Black musicians at the time generally stayed in black neighborhoods.
Lena Horne also sang at civil rights gatherings18. She took part in the March on Washington protest16 in nineteen sixty-three. It was during this event that Martin Luther King Junior gave his “I Have a Dream” speech.
BARBARA KLEIN: Lena Horne performed in a strong and expressive19 way. One expert said she was not warm and friendly like white, male singers at the time. Instead, she was a fierce, black woman.
The beautiful singer and actress is shown here in 1974 at the age of 57 |
(MUSIC: “I Want to Be Happy”)
STEVE EMBER: Lena Horne continued making records throughout the nineteen sixties, seventies and eighties. In nineteen eighty-one she returned to Broadway in New York with the show “Lena Horne: The Lady and Her Music.”
The show ran for over a year, before traveling around the United States and Europe. It earned her a Tony Award and two Grammy Awards.
BARBARA KLEIN: Lena Horne died in two thousand ten at the age of ninety-two. At the age of eighty, she said this about her career: “My identity20 is very clear to me now. I am a black woman. I’m free.” She said she no longer had to be a “first” to anybody.
She said she did not have to act like a white woman that Hollywood hoped she would become. She said: “I’m me, and I’m like nobody else.”
(MUSIC: “The Lady is a Tramp”)
STEVE EMBER: This program was written and produced by Dana Demange. I’m Steve Ember.
BARBARA KLEIN: And I’m Barbara Klein. Transcripts21, MP3s and podcasts are at voanews.cn. Join us again next week for PEOPLE IN AMERICA in VOA Special English.
1 electrified | |
v.使电气化( electrify的过去式和过去分词 );使兴奋 | |
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2 emotional | |
adj.令人动情的;易动感情的;感情(上)的 | |
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3 injustices | |
不公平( injustice的名词复数 ); 非正义; 待…不公正; 冤枉 | |
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4 toward | |
prep.对于,关于,接近,将近,向,朝 | |
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5 refusal | |
n.拒绝 | |
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6 interact | |
vi.相互作用,相互影响,互通信息 | |
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7 version | |
n.版本;型号;叙述,说法 | |
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8 noted | |
adj.著名的,知名的 | |
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9 criticized | |
vt.批评(criticize的过去式)v.评论,批评( criticize的过去式和过去分词 ) | |
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10 poses | |
使摆姿势( pose的第三人称单数 ); 以…身份出现; 招摇; 炫耀 | |
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11 academy | |
n.(高等)专科院校;学术社团,协会,研究院 | |
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12 recording | |
n.录音,记录 | |
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13 activist | |
n.活动分子,积极分子 | |
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14 acceptance | |
n.接受,接收,验收,接纳;承认,认可 | |
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15 increasingly | |
adv.逐渐地,日益地,逐渐增加地 | |
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16 protest | |
v.反对,抗议;宣称;n.抗议;宣称 | |
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17 protested | |
v.声明( protest的过去式和过去分词 );坚决地表示;申辩 | |
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18 gatherings | |
聚集( gathering的名词复数 ); 收集; 采集; 搜集 | |
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19 expressive | |
adj.表现的,表达…的,富于表情的 | |
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20 identity | |
n.身份,本体,特征;同一(性),一致 | |
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21 transcripts | |
n.抄本( transcript的名词复数 );转写本;文字本;副本 | |
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