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(单词翻译:双击或拖选)
Comic Book Stories Come to Life in Sin City
漫画书《罪恶大城》大放异彩
Director Robert Rodriguez teams up with graphic1 novel author Frank Miller2 to create a visually stunning3 (although ultra-violent) film noir that is remarkable4 for its style and technical achievement. Alan Silverman has a look at Sin City.
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It's a place where danger lurks6 in every shadow and you can't trust anybody ... even your partner. And the women... eh, eh, the women.
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The world of Sin City comes from the stark7 black-and-white graphic novels or comic books by Frank Miller that have become cult8 classics; and for filmmaker Robert Rodriguez, it's a chance to delve9 into the stark and stylized noir genre10.
Robert Rodriguez: I just love this material. I've always wanted to do a film noir, I love the seediness, the excitement of it [and] the visceral quality... the fact that you get to go meet people that you would never meet in your normal life and see things you would never see. It enters your dreams. Film noir has always been enticing11 to people and I think that's because it's the dark side of life. People like that.
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Sin City intertwines three of Miller's stories, with characters from each drifting or blasting in and out of the others. Bookending this anthology is the story of Hartigan, a worn-out, haggard police detective played by Bruce Willis.
Willis: We had the comics out every day and they are not comic books, they are drawn12 stories of very adult, film noir crime stories; and as a pure film noir movie, Hartigan has a role to fill. He's an honest cop who goes up against everybody else in this city who is not honest.
For example, Jackie Boy, a flamboyant13 detective-gone-bad, played by Benicio del Toro.
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Sin City is a digital creation; everything except the actors -- the scenery, the skyline, even the car Jackie Boy is driving -- is computer-generated imagery. Oscar-winner del Toro says acting14 in the blank space (that would later be filled in) was a fascinating exercise.
Benicio del Toro: It reminded me of theater, I trained as a theater actor and you had a bare stage and you had to pretend you were in the middle of Eighth Avenue and traffic is just going by... It reminded me a little bit of that and that made it fun. It was back to basics for me.
Adding to the gritty fantasy are the women of Sin City. Every one of them curvaceous and voluptuous15 and scantily16 clad -- if clad at all. Rosario Dawson plays tough-as-nails Gail, leader of the "Old Town" streetwalkers [prostitutes]. She admits to a few second thoughts when she saw her body-hugging wardrobe.
Rosario Dawson: Well, the costume designer did give me a bouquet17 of flowers when I decided18 I was actually going to wear 'the' outfit19.
They may be dressed to fit men's fantasies, but Dawson insists they are not merely objects of desire.
Rosario Dawson: All the women who are in Old Town take care of ourselves. We are in control of what we are. We know what our assets are ... and we call the shots, which I think is really powerful, I think there's a very even strength between the men and the women. It's a pretty tough town on both sides.
Like the source material, the film portrays20 a graphically21 violent world. Robert Rodriguez, who co-directed it with Frank Miller, says this is definitely not for kids.
Robert Rodriguez: It is so over-the-top and stylized, like in the books, but that's what helped temper it. It was so black-and-white, so abstract, so representative that, as violent as it is, like in the comic, it felt tempered by the stylization, I made this an 'R' [restricted, no one under 17 admitted without a parent]. I didn't' try to trick people. It's a restricted movie. If parents let their kids in, that's their decision, but it doesn't mean I'm going to change how we made the movie. Frank made what he wanted to do and I wanted to do the exact same thing for cinema and suffer the consequences. If people don't go see it because it's 'R,' that's fine. It's not about appealing to the mass audience. It's really just about making the movie we want to make and tell the story we want to do.
The wide-ranging ensemble22 cast of Sin City also features Mickey Rourke, Jessica Alba, Clive Owen, Elijah Wood, Carla Gugino and Nick Stahl. Along with Rodriguez and Miller, Quentin Tarantino gets a credit as "special guest director."
Alan Silverman for the Voice of America in Hollywood.
注释:
Sin City 《罪恶之城》
stark [stB:k] adj. 刻板的
graphic novel 文笔生动的小说
comic book 连环漫画册
cult [kQlt] n. 宗教崇拜
delve into 钻研,深入研究
stylized [5stailaizd] adj. 程式化的,按固定格式的
genre [5VRrE] n. (文艺作品的)类型,流派
film noir 电影胶片
visceral [5visErEl] adj. 本能的,内心深处的
anthology [An5WClEdVi] n. 诗选,文选
detective [di5tektiv] n. 侦探
gritty [5^riti] adj. 坚韧不拔的
curvaceous [k\:5veiFEs] adj. 曲线美的
voluptuous [vE5lQptJEs] adj. 艳丽的,性感的
streetwalker [5stri:twC:kE(r)] n.(街头的)拉客妓女
wardrobe [5wC:drEub] n. 衣服,行头
bouquet [5bu(:)kei] n. 花束
1 graphic | |
adj.生动的,形象的,绘画的,文字的,图表的 | |
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2 miller | |
n.磨坊主 | |
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3 stunning | |
adj.极好的;使人晕倒的 | |
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4 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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5 lurk | |
n.潜伏,潜行;v.潜藏,潜伏,埋伏 | |
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6 lurks | |
n.潜在,潜伏;(lurk的复数形式)vi.潜伏,埋伏(lurk的第三人称单数形式) | |
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7 stark | |
adj.荒凉的;严酷的;完全的;adv.完全地 | |
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8 cult | |
n.异教,邪教;时尚,狂热的崇拜 | |
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9 delve | |
v.深入探究,钻研 | |
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10 genre | |
n.(文学、艺术等的)类型,体裁,风格 | |
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11 enticing | |
adj.迷人的;诱人的 | |
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12 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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13 flamboyant | |
adj.火焰般的,华丽的,炫耀的 | |
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14 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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15 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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16 scantily | |
adv.缺乏地;不充足地;吝啬地;狭窄地 | |
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17 bouquet | |
n.花束,酒香 | |
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18 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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19 outfit | |
n.(为特殊用途的)全套装备,全套服装 | |
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20 portrays | |
v.画像( portray的第三人称单数 );描述;描绘;描画 | |
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21 graphically | |
adv.通过图表;生动地,轮廓分明地 | |
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22 ensemble | |
n.合奏(唱)组;全套服装;整体,总效果 | |
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