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(单词翻译:双击或拖选)
After 28 Years, Spandau Ballet Returns to US 28年后施潘道芭蕾舞团重返美国
Eighties hitmakers Spandau Ballet created quite a buzz during the recent South By Southwest (SXSW) music and film conferences in Austin, Texas.
Spandau Ballet’s first hit “To Cut a Long Story Short” charted in 1980. Since then, they’ve sold more than 25 million albums and played concerts in huge arenas1 worldwide.
Their performance in Austin, Texas, marked the band’s first show on a U.S. stage in 28 years. It was also the first time in decades they played a venue2 with room for only 600 people.
Drummer John Keeble described the experience as “inspiring and fantastic.”
“It’s the smallest gig we’ve done for many a year," he said. "There’s something very visceral about being in a small room with people right up close and personal. Probably one of my favorite gigs.”
Singer Tony Hadley says playing in a small club means there are no secrets.
"There was no trickery. It was just the five guys plugged in," he said. "Gary had four little pedals and that was it. There was no hard disk behind us or anything like that. It was totally real.”?
Formed in the late 1970s in London, Spandau Ballet were leaders in rejecting the extravagant3 ugliness of the punk music scene, and played a leading role in the British New Wave movement called the New Romantics. They changed their look as often as their sound, getting funky4 with the hit “Chant No.1 (I Don’t Need This Pressure On).”
But it was when the band released a completely different sort of song, a dreamy synth-pop ballad5, that the band had its biggest worldwide hit, “True.”
Bass6 player Martin Kemp says Spandau Ballet’s show in Austin left the band excited about the prospect7 of returning to the U.S. for a full tour.
“You know, we’ve played those songs a million times for people in Europe and know what those songs mean to people when you play them," he said. "Here, we thought maybe the only song that everyone’s going to know is 'True.' But it wasn’t like that at all. Everyone was into the band from the beginning. I thought it was a really special moment. I agree with John, I actually think it was one of my favorite gigs we’ve ever done.”
So why did it take 28 years for Spandau Ballet to return to the United States? Two reasons: First, the band’s 1985 tour was cut short after saxophonist Steve Norman injured his knee in Los Angeles, California. Then, at the end of the 1980s, the band split up in a bitter fight over royalties8.
“Listen, we found it hard enough to come back to each other, that took us nearly 20 years, let alone come back to America," said Gary Kemp, the band’s lead songwriter. "So, it’s not like we’ve been ignoring America for 28 years. We were ignoring ourselves for 20 of those years.”
Spandau Ballet’s breakup is covered in the film “Soul Boys of The Western World,” which had its debut9 at the SXSW conference.
Steve Norman admits it was hard to watch the documentary in front of an audience.
“There’s a lot of anguish10 in there, you can see it," he said. "We were so close, we went to school together. And then to see how it all fell apart. It’s very emotional. And the other day, because there were people there, it became much more emotional. I had tears in my eyes once or twice.”
Spandau Ballet reunited in 2009 for a 30th anniversary tour and, true to form, showed off a new sound with “Once More,” an unplugged, acoustic11 album.
Their next world tour is scheduled to start either later this year, or early in 2015.
1 arenas | |
表演场地( arena的名词复数 ); 竞技场; 活动或斗争的场所或场面; 圆形运动场 | |
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2 venue | |
n.犯罪地点,审判地,管辖地,发生地点,集合地点 | |
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3 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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4 funky | |
adj.畏缩的,怯懦的,霉臭的;adj.新式的,时髦的 | |
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5 ballad | |
n.歌谣,民谣,流行爱情歌曲 | |
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6 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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7 prospect | |
n.前景,前途;景色,视野 | |
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8 royalties | |
特许权使用费 | |
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9 debut | |
n.首次演出,初次露面 | |
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10 anguish | |
n.(尤指心灵上的)极度痛苦,烦恼 | |
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11 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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