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What an American Home Looks Like
American homes are a lot like America. They are a mix of designs from many countries, all combined together.
For example, a visitor to a neighborhood in the United States might see several kinds of colonial houses. Workers began building these houses in the 1600s, when Britain ruled the area.
Colonial houses are often box-shaped, two-story houses. They have a front door in the middle, and five or seven windows. Both sides of the house are usually the same.
Their original design came from ancient Roman and Greek buildings. But over time, Americans added design elements from the architectural styles of other countries.
One modern-day colonial home can have a tall French-style roof, like the Louvre museum in Paris. Another can have narrow Greek columns near the front door, like the U.S. White House. Another can have long pieces of wood on the outside, like some houses in England during the Middle Ages. Or the same house can have all three!
Jackie Craven is a reporter who writes about architecture. She told VOA over email, “Our homes, like our people, draw from many sources.”
Victorians
The style of American homes also show what was happening in the country at the time they were built. In the 1800s, the U.S. was growing economically. Workers learned how to make many copies of the same thing quickly, for not very much money. One result is that a number of Americans could pay for the building of large, complex houses. These are called Victorians after Queen Victoria who ruled Britain from 1837 to 1901.
Victorian houses follow Queen Victoria’s romantic image. They are usually three stories tall and asymmetrical1 – in other words, the sides are not the same in size or shape. One side may have large windows. Another may have a porch. One side might also be tall and rounded. Victorians also have detailed2 wood cutouts for visual appeal.
At first, Victorians were painted in a mix of earthy colors, like browns, greens and dark orange. In later years bright pinks, blues3 and yellows became popular combinations.
Some observers compare Victorian houses to doll houses, gingerbread houses or even wedding cakes.
They look fancy, but they are modest in relation to some houses that came later.
At the end of the 1800s, the Industrial Revolution made steel part of the American environment. Steel helped build railroads and skyscrapers7.
It also helped make a few American businessmen very wealthy. Some built extremely large mansions that looked more like European castles than family homes.
They mixed old Italian, French, and Roman Empire building traditions that aimed to show how powerful and rich the owners were. Inside, the mansions had huge stairways and dining rooms big enough for 100 people.
But by the beginning of the 1900s, some people were rejecting shows of wealth by powerful people. And many Americans needed housing that was far less costly8, especially during the economic depression of the 1930s.
So houses became simpler and smaller. One company, called Sears, made house building kits10 you could order from a catalogue. The business sent you the parts and the plans for the house. Then you and a few friends built it yourself. The houses lasted, too – about 70 percent of Sears kit9 houses are still standing11.
Frank Lloyd Wright
During the same years that Sears was mailing housing kits, an architect named Frank Lloyd Wright was creating a new kind of American house.
Wright did not want to use European ideas. He believed American houses should fit into the nature around them. Some of his most famous houses are long and low, with clean lines and a simple style. The roof hangs far over and beyond the walls, so the area outside feels more connected to the structure. Inside, the rooms are all connected.
Wright designed more than 1,000 houses in his life. His influence can be seen in a huge number of American homes built in the 20th century. They are especially common in neighborhoods just outside of cities, called suburbs. For example, the ranch12 house on the 1960s and 70s television show “The Brady Bunch” was influenced by Frank Lloyd Wright.
McMansions
Susan Piedmont-Palladino is an architect and the director of Virginia Tech’s Washington Alexandria Architecture Center. She calls the history of American homes an “all-you-can-eat buffet13.” In other words, Americans have many home styles to choose from.
“We can borrow anybody’s style of architecture, and I’m not sure that’s the attitude in other countries around the world,” she says.
And Piedmont-Palladino says American homes are different in another way. She observes that most American homes are for just one family: one set of parents and their children. The single family house, she says, “dominates” American neighborhoods.
She also notes that as American families are getting smaller, American houses are getting bigger. For example, in the late 1900s some Americans built large houses again to show their wealth and power.
But these houses are not as unique or beautiful as the mansions of the late 1800s. Many of them look similar to each other. They are known in a negative way as McMansions – mansions that are as common and quickly made as the food at a McDonalds fast food restaurant.
Piedmont-Palladino says in the future, she would like to see American houses move a different direction. She hopes owners and builders will seek designs that are friendly to the environment and use resources wisely.
I’m Kelly Jean Kelly.
Words in This Story
colonial - adj. of or relating to the original 13 colonies forming the United States
romantic - adj. stressing emotion and imagination
porch - n. a structure attached to the entrance of a building that has a roof and that may or may not have walls
gingerbread - n. a cake or cookie made with molasses and ginger4 and often decorated with candy
fancy - adj. very expensive and fashionable
modest - adj. not showing or feeling great or excessive pride
mansion5 - n. a large and impressive house : the large house of a wealthy person
catalogue - n. a book containing a list of things that you can buy or use, often with pictures
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asymmetrical
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| adj.不均匀的，不对称的 | |
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detailed
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| adj.详细的，详尽的，极注意细节的，完全的 | |
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blues
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| n.抑郁，沮丧；布鲁斯音乐 | |
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ginger
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| n.姜，精力，淡赤黄色；adj.淡赤黄色的；vt.使活泼，使有生气 | |
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mansion
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| n.大厦，大楼；宅第 | |
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mansions
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| n.宅第，公馆，大厦( mansion的名词复数 ) | |
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skyscrapers
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| n.摩天大楼 | |
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costly
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| adj.昂贵的，价值高的，豪华的 | |
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kit
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| n.用具包，成套工具；随身携带物 | |
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kits
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| 衣物和装备( kit的名词复数 )； 成套用品； 配套元件 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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ranch
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| n.大牧场，大农场 | |
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buffet
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| n.自助餐；饮食柜台；餐台 | |
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