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(单词翻译:双击或拖选)
Voice 1
Hello. I’m Ruby1 Jones.
Voice 2
And I’m Rachel Hobson. Welcome to Spotlight2. This programme uses a special English method of broadcasting. It is easier for people to understand, no matter where in the world they live.
Voice 1
It is beautiful day in Paris. Thousands of people are in the famous art museum, the Louvre. They can see statues from ancient Greece. They can see burial boxes from ancient Egypt. They can see paintings from many European master artists. But there is one painting that everybody wants to see. Many people crowd around it. They are trying to take a picture of it with their cameras. It is a small painting. A glass cover protects it. This is one of the most famous paintings in the world. It is called the Mona Lisa.
Voice 2
In today’s Spotlight we tell of the mystery surrounding the Mona Lisa. And we also tell of another painting - the Last Supper. But first we talk about the artist who painted both the Mona Lisa and the Last Supper - Leonardo da Vinci.
Voice 1
Leonardo da Vinci was born during the Renaissance3. This was a period of great artistic4 renewal5 in Europe. For many years, art in Europe did not look lifelike. Then, Italian artists became interested in ancient Greek and Roman statues and artwork. They were very excited by these natural looking works. And they decided6 to study nature closely. They wanted to create artwork that looked lifelike. They experimented. They learned how to show distance. And they learned how to make things look like they had more than two sides. Leonardo da Vinci became one of the greatest Renaissance artists. In fact, he became one of the greatest western artists of all time.
Voice 2
Leonardo explored different ways of painting. He tried using different kinds of paints. And he studied people and objects carefully. He drew pictures of them. He wrote notes about them. All of this helped him with his painting. He treated painting as a science. In particular, Leonardo understood about the effects of light and darkness in painting. He understood this could add great depth and lifelike qualities to his work.
Voice 1
The Mona Lisa is one of Leonardo’s later paintings. It is a portrait of a woman. Often portraits only show a person’s head and shoulders. But the Mona Lisa shows the woman’s face and upper body. She sits with her arms resting in front of her. The images behind the woman are not clear. You cannot see all of the details. But you can see all of the fine details on the woman’s clothes. Leonardo used this method to give his paintings depth. The Mona Lisa influenced many artists. It changed the way that portraits were painted for hundreds of years to come.
Voice 2
The woman in the portrait looks so peaceful. She has a mysterious smile on her face. It is almost as if she is hiding a secret. Her smile has created a lot of interest. And her eyes have created interest too. They seem to follow the people who walk past her. For years experts have tried to discover who the woman was. Some people have even suggested that Leonardo painted his own face on the Mona Lisa. But most experts have said that she was Lisa del Giacondo - the wife of a famous silk cloth seller in Florence. However, for many years the experts could not prove it was her. Until, that is, a recent discovery in Germany.
Voice 1
German experts at the University of Heidelberg say they can prove who Mona Lisa was. One of the experts was examining a very old book. He found important notes in the book. The notes were from a city official who knew Leonardo da Vinci. The notes tell that Leonardo was working on a painting of Lisa del Giocondo. There was also a date - fifteen hundred and three! This was the time art experts had agreed the portrait was painted. So after hundreds of years, the mystery is finally solved. Lisa del Giocondo is the Mona Lisa.
Voice 2
Five years before starting the Mona Lisa, Leonardo painted his other most famous work - The Last Supper. This painting shows an important event from the Christian7 Bible. It shows Jesus’ last meal with his close followers8 - his disciples9. Jesus knows that he will soon die a horrible death. And he tells his disciples that one of them will betray10 him. Leonardo paints what happens directly after Jesus says these words. The disciples look shocked. They sit and talk together. They are troubled. Jesus sits alone in the centre of the painting. His face is calm. He knows his purpose - he will die for the sins of all people. He is willing to be the innocent sacrifice, because of his great love for people.
Voice 1
Experts are amazed by the painting. It appears so simple. But it captures the imagination so well. A person can almost experience the painting. Leonardo creates this effect by separating the disciples and Jesus. He carefully paints the expressions on their faces and the positions of their bodies. Leonardo tells the story of that night without any words. The Last Supper has also influenced many master painters that came after Leonardo. They used his methods in their own works.
Voice 2
Leonardo painted The Last Supper on a stone wall. Usually artists painted on wet plaster11 walls - frescos. They had to paint very quickly. But Leonardo wanted to take his time on this painting. So he did not use the traditional method for painting on a wall. Instead he developed a new method - tempera on base. He painted on a dry wall. However, this did not work very well. After only twenty years, the base started to separate from the wall. Then, the painting started to look decayed13. Over the years experts tried to fix the painting. But often they made it worse.
Voice 1
After World War Two, art experts discovered more modern ways to protect the painting. And they successfully stopped the decay12. Then, in 1980 experts decided to repair the painting. They worked on it for almost twenty years. Finally they finished. But critics say that these experts did not truly repair it. They say that the experts repainted it! The critics do not believe the painting is truly Leonardo’s now. But defenders14 of the repair believe the work was necessary. They say that future generations can continue to enjoy the painting.
Voice 2
Leonardo da Vinci was an amazing man and artist. He created new ways to do things. He discovered more about the world around him. And his work will continue to excite and inspire people in the future. People will continue to ask why the Mona Lisa is smiling. They will continue to ask if The Last Supper should have been repaired. But most of all they will wonder at Leonardo’s paintings - the man who changed art for all time.
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ruby
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| n.红宝石，红宝石色 | |
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spotlight
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| n.公众注意的中心，聚光灯，探照灯，视听，注意，醒目 | |
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renaissance
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| n.复活，复兴，文艺复兴 | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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renewal
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| adj.(契约)延期，续订，更新，复活，重来 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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Christian
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| adj.基督教徒的；n.基督教徒 | |
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followers
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| 追随者( follower的名词复数 )； 用户； 契据的附面； 从动件 | |
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disciples
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| n.信徒( disciple的名词复数 )；门徒；耶稣的信徒；（尤指）耶稣十二门徒之一 | |
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betray
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| vt.背叛，失信于，泄露，暴露 | |
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plaster
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| n.石膏，灰泥，膏药；v.涂以灰泥，敷以膏药，使...平 | |
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decay
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| vi.腐烂，衰落；n.腐烂，腐朽，衰败状态 | |
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decayed
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| a.腐败的，被蛀的 | |
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defenders
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| n.防御者( defender的名词复数 )；守卫者；保护者；辩护者 | |
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