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(单词翻译:双击或拖选)
David Caravaggio—an absurd name for you, of course ...” The English patient says.
“At least I have a name.”
“Yes.”
Caravaggio sits in Hana’s chair. Afternoon sun fills the room, revealing the swimming motes1.The Englishman turns to him. “There’s a painting by Caravaggio, done late in his life. David with the Head of Goliath. In it, the young warrior2 holds at the end of his outstretched arm the head of Goliath, ravaged3 and old. But that is not the true sadness in the picture. It is assumed that the face of David is a portrait of the youthful Caravaggio and the head of Goliath is a portrait of him as an older man, how he looked when he did the painting. Youth judging age at the end of its outstretched hand. The judging of one’s own mortality. I think when I see him at the foot of my bed that Kip is my David.” Caravaggio sits there in silence, thoughts lost among the floating motes. War has unbalanced him and he can return to no other world as he is, wearing these false limbs that morphine promises. He is a man in middle age who has never become accustomed to families. All his life he has avoided permanent intimacy4.
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1 motes | |
n.尘埃( mote的名词复数 );斑点 | |
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2 warrior | |
n.勇士,武士,斗士 | |
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3 ravaged | |
毁坏( ravage的过去式和过去分词 ); 蹂躏; 劫掠; 抢劫 | |
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4 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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5 chaos | |
n.混乱,无秩序 | |
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