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Téa Obreht's Latest Is Steeped In The Supernatural — Also, There Are Camels
LULU GARCIA-NAVARRO, HOST:
When writer Tea Obreht's first book, "The Tiger's Wife," came out in 2011, it was both critically adored and a book club favorite. Obreht's new novel, "Inland," is inspired by a little-known piece of history of the American West and tinged1 with the supernatural. NPR's Lynn Neary has more.
LYNN NEARY, BYLINE2: It's different writing a second novel, says Tea Obreht. For one thing, there were no expectations the first time around.
TEA OBREHT: The things that I had learned writing the first book didn't necessarily really apply to the second one, kind of because there's a purity of feeling, I think, when you're writing for the first time where you don't really consider that there's going to be a human audience outside of, like, your mom (laughter) you know?
NEARY: Obreht was born in the former Yugoslavia. Her first book, "The Tiger's Wife," was set in the Balkans and steeped in its culture. But for her second novel, Obreht drew on the myths of the Old West.
OBREHT: I think that my understanding of it was - you know, it was rooted in this notion of the cowboy Western - right? - very white hat, black hat stories that framed this very, very narrow lens - a narrow but nevertheless incredibly powerful narrative3 of the West.
NEARY: To broaden her understanding, Obreht began doing research, which led her to a history podcast and a story about camels that the military used as pack animals in the Southwest Territories.
OBREHT: And then the podcast went on to talk about who came over and how the camels were brought over from the Ottoman Empire with drovers. And I just couldn't believe it. I couldn't believe that I'd never heard of it before and especially considering I'd been doing all this other research and had never even brushed up against this story. And it really, really seized me.
NEARY: The book unfolds in two alternating stories. In one, an outlaw4 named Lurie comes across the Camel Corps5 while he's on the run from a deputy who's determined6 to see him hang. Lurie, who was brought to the U.S. from the Mideast as a child, finds it easy to hide among the camel drovers. He grows attached to them and to the camel he rides as he makes his way across the Southwest. In this excerpt7, Lurie sees the camels for the first time as they leave the ship that brought them to America.
OBREHT: (Reading) That's a horse, I told the old-timer, but no, not a horse after all. As those oarsmen pulled for the beach, a strange silhouette8 began to firm up - a snake neck and frowzy9 mane, a huge periscope10 head turning slowly this way and that, a tent peg11 underbite, a drumlin back from which the morning wind raised a constant and ethereal fog, the dust of six months at sea.
NEARY: Lurie's tale alternates with Nora's, who lives on a farm in the Arizona Territory. A drought threatens the family's livelihood12. Her husband has been gone too long in search of water. And she's been left alone with a young son and her husband's niece, both of whom believe that the property is being stalked by a demon13 animal. All of this, says Obreht, is leading Nora to question her decision to throw her fate in with her husband's many years ago.
OBREHT: As I wrote her, through my research, I became more and more conscious of the unbelievable difficulty of homesteading life, particularly for women who were dragged on these misadventures by husbands who often decided14 to, you know, stake up in the West on a whim15.
NEARY: Nora and Lurie seem fated to meet, though, through much of the book, their paths never cross. But they do share something in common - they both commune with the dead. Lurie can see them wandering around towns, sometimes making him do things against his will. Nora talks regularly with her daughter who died in infancy16. Nora imagines her all grown up. As a writer, Obreht says, she's drawn17 to that which cannot be explained.
OBREHT: The fantastical and the supernatural have held such an important role in human narrative since the beginning of stories. And I think that fundamentally we're always asking ourselves the same questions. You know, is the world made up only of what we see, or is it made up of the things that we believe? And I think to explore that on the page is a great pleasure and a great need for me.
NEARY: Obreht grounds the supernatural and the hard reality of pioneer life and packs her story with secrets and surprises. But perhaps nothing in it is more astonishing than the fact that camels once really did roam the American West. Lynn Neary, NPR News, Washington.
1 tinged | |
v.(使)发丁丁声( ting的过去式和过去分词 ) | |
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2 byline | |
n.署名;v.署名 | |
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3 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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4 outlaw | |
n.歹徒,亡命之徒;vt.宣布…为不合法 | |
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5 corps | |
n.(通信等兵种的)部队;(同类作的)一组 | |
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6 determined | |
adj.坚定的;有决心的 | |
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7 excerpt | |
n.摘录,选录,节录 | |
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8 silhouette | |
n.黑色半身侧面影,影子,轮廓;v.描绘成侧面影,照出影子来,仅仅显出轮廓 | |
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9 frowzy | |
adj.不整洁的;污秽的 | |
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10 periscope | |
n. 潜望镜 | |
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11 peg | |
n.木栓,木钉;vt.用木钉钉,用短桩固定 | |
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12 livelihood | |
n.生计,谋生之道 | |
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13 demon | |
n.魔鬼,恶魔 | |
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14 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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15 whim | |
n.一时的兴致,突然的念头;奇想,幻想 | |
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16 infancy | |
n.婴儿期;幼年期;初期 | |
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17 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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