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(单词翻译:双击或拖选)
AUDIE CORNISH, HOST:
Kirk Douglas, the self-described ragman's son who became a global Hollywood superstar in the 1950s and '60s, has died. He was 103. Douglas was often cast as a troubled tough guy in films, most famously as a rebellious1 Roman slave named Spartacus. Off-screen, he was devoted2 to humanitarian3 causes. Bob Mondello offers this appreciation4.
BOB MONDELLO, BYLINE5: That cleft6 in his chin, the grit7 in his voice, the set of his jaw8 in moments of intensity9 that made him seem to be talking through clenched10 teeth - Kirk Douglas was a classic Hollywood alpha male, one who made a conscious choice to go his own way by playing men who went theirs, like the principled Colonel Dax in the World War I epic12 "Paths Of Glory" who bucked13 his commanders to try to save three soldiers at their court-martial.
(SOUNDBITE OF FILM, "PATHS OF GLORY")
KIRK DOUGLAS: (As Colonel Dax) Gentlemen of the court, there are times when I'm ashamed to be a member of the human race, and this is one such occasion. The case made against these men is a mockery of all human justice. To find these men guilty would be a crime to haunt each of you to the day you die.
MONDELLO: Colonel Dax was a good man fighting the establishment, but Douglas seemed almost more comfortable playing what he liked to call tough sons of b*****es, flawed men who were, one way or another, gaming the system. Two of his earliest title roles - the backstabbing boxer14 in the "Champion" and the self-destructive cornetist in "Young Man With A Horn" - were stars who turn into heels just as the public embraces them.
Before long, Douglas had developed that reputation himself. Looking back in his memoirs15, Douglas describes the young Kirk Douglas as egotistical and ambitious and claims not to like him very much. But his performances as, say, an abrasive16, driven Vincent van Gogh in "Lust17 For Life," were electric.
(SOUNDBITE OF FILM, "LUST FOR LIFE")
DOUGLAS: (As Vincent van Gogh) When I paint the sun, I want to make people feel it revolving18, giving off light and heat. When I paint a pheasant in the field, I want to feel the sun pouring into him like it does in the corn.
ANTHONY QUINN: (As Paul Gaugin) Is that what you think you're doing when you overload19 your brush? What I see when I look at your work is just you paint too fast.
DOUGLAS: (As Vincent van Gogh) You look too fast.
MONDELLO: For more than two decades in Hollywood, Douglas cast a giant shadow, as one of his titles had it, playing two or even three starring roles each year. He had clout20 enough that when he didn't get cast in "Ben-Hur," he could counter it just months later with his own Roman epic, both producing and starring as the rugged21, chisel-featured slave Spartacus.
(SOUNDBITE OF FILM, "SPARTACUS")
DOUGLAS: (As Spartacus) Take that back to your senate. Tell them you and that broken stick is all that's left of the garrison22 of Rome. Tell them we want nothing from Rome - nothing - except our freedom.
(CHEERING)
MONDELLO: Off-screen, Douglas also led an open revolt against Hollywood's blacklist. The communist witch hunts of the 1950s had destroyed many careers. "Spartacus" screenwriter Dalton Trumbo had been forced for years to write under an alias23. Douglas was disgusted by the hypocrisy24; said, to hell with it; and put Trumbo's name in the credits. When "Spartacus" was a hit, the blacklist was effectively finished.
More than three decades later, speaking with NPR's Susan Stamberg, Douglas was philosophical25 about the decision.
(SOUNDBITE OF ARCHIVED NPR BROADCAST)
DOUGLAS: If I were much older, would I still have done it? Maybe. Who knows? It was a time - I was young, impulsive26. Sometimes they say as you get older, you get more cautious. I like to think that I don't. But it could be. Anyhow, I did it. It was an impulsive thing. I'm proud of it. I think it's one of the good things that I've done in life.
MONDELLO: Born Issur Danielovitch in New York to illiterate27, desperately28 poor Russian Jewish parents, the future leading man was the only boy amongst seven siblings29. He would later tell his own children that they didn't have his advantage of being born into abject30 poverty. From an early age, that advantage forced him to put himself out there with the public, working odd jobs, scrounging for food, talking his way not just into college but also into a loan to pay for it.
Acting31 school followed and a stint32 in the Navy, a name change to Kirk Douglas and minor33 success in New York. Then Hollywood beckoned34. And within four years, he'd made eight films, established his persona as a tough guy and earned the first of his three Oscar nominations35 as a barrel-chested prizefighter in the "Champion."
(SOUNDBITE OF FILM, "CHAMPION")
DOUGLAS: (As Midge) Did you hear that crowd? For the first time in my life, people cheering for me. Were you deaf? Didn't you hear them?
MONDELLO: Success did not make Douglas a nice guy. Though married, he had multiple affairs with the likes of Rita Hayworth, Marlene Dietrich and Ava Gardner. He was a mostly absentee father to his first two sons. He broke studio contracts and feuded36 with directors. In 1964, he said, I am probably the most disliked actor in Hollywood, and I feel pretty good about it because that's me.
Later, he felt less good about it. But the '60s were his glory days, with hit after hit - battling a presidential overthrow37 in "Seven Days In May," torn between Faye Dunaway and Deborah Kerr in "The Arrangement." He played gunslingers, lawyers, admirals, doctors, con11 men and worked steadily38 through the next two decades.
When the tough-guy shtick got old, he turned to comedy and mocked it in a film called "Tough Guys" with his frequent co-star Burt Lancaster. Not even a helicopter crash in 1991 when he was 74 could slow him down, though the fact that a pilot and another passenger had died, he told NPR, did change his worldview.
(SOUNDBITE OF ARCHIVED NPR BROADCAST)
DOUGLAS: Why am I alive? Why did two young people die? And it makes you think about other people more. I think you have to, as you get older in life and as you mature - you have to be aware more of the outside world and other people.
MONDELLO: Just a year after that interview, a stroke left him almost entirely39 unable to speak and thinking of suicide. He wrote of wondering, what does an actor do who can't talk - wait for silent pictures to come back? His book about that stroke, though, is called "My Stroke Of Luck" and tells how he recovered by reaching out to others and by rediscovering the Judaism he had been neglecting for 60 years.
Douglas and his wife Anne were to spend the next decade and millions of dollars fixing up playgrounds in California - more than 400 altogether. Every time he reopened one, he slid down its slide, joking after one such slide at 92, every dedication40, I risk my life.
In between the odd acting jobs that came his way, Douglas found time to write memoirs and children's books. He also became one of the world's oldest bloggers at 92. And at 94, he returned to the stage, delighting audiences at Culver City's Kirk Douglas Theatre with an autobiographical solo show called "Before I Forget."
(SOUNDBITE OF ARCHIVED RECORDING)
DOUGLAS: When you have a stroke, you must talk slowly to be understood. And I've discovered that when I talk slowly, people listen.
(LAUGHTER)
DOUGLAS: They think I'm going to say something important.
(LAUGHTER)
MONDELLO: Having said plenty in his time, he really didn't have to anymore, but that didn't stop him.
Kirk Douglas was the last great movie star of his generation. John Wayne, Gary Cooper, Henry Fonda, Cary Grant, Charlton Heston, his buddy41 Burt Lancaster - Douglas outlived them all by so many years that younger audiences probably know him better as Michael Douglas' father than as a star in his own right. But he was a star for a long time, among the brightest in the Hollywood firmament42.
I'm Bob Mondello.
CORNISH: Kirk Douglas died today at age 103.
(SOUNDBITE OF MUSIC)
1 rebellious | |
adj.造反的,反抗的,难控制的 | |
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2 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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3 humanitarian | |
n.人道主义者,博爱者,基督凡人论者 | |
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4 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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5 byline | |
n.署名;v.署名 | |
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6 cleft | |
n.裂缝;adj.裂开的 | |
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7 grit | |
n.沙粒,决心,勇气;v.下定决心,咬紧牙关 | |
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8 jaw | |
n.颚,颌,说教,流言蜚语;v.喋喋不休,教训 | |
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9 intensity | |
n.强烈,剧烈;强度;烈度 | |
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10 clenched | |
v.紧握,抓紧,咬紧( clench的过去式和过去分词 ) | |
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11 con | |
n.反对的观点,反对者,反对票,肺病;vt.精读,学习,默记;adv.反对地,从反面;adj.欺诈的 | |
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12 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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13 bucked | |
adj.快v.(马等)猛然弓背跃起( buck的过去式和过去分词 );抵制;猛然震荡;马等尥起后蹄跳跃 | |
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14 boxer | |
n.制箱者,拳击手 | |
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15 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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16 abrasive | |
adj.使表面磨损的;粗糙的;恼人的 | |
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17 lust | |
n.性(淫)欲;渴(欲)望;vi.对…有强烈的欲望 | |
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18 revolving | |
adj.旋转的,轮转式的;循环的v.(使)旋转( revolve的现在分词 );细想 | |
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19 overload | |
vt.使超载;n.超载 | |
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20 clout | |
n.用手猛击;权力,影响力 | |
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21 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
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22 garrison | |
n.卫戍部队;驻地,卫戍区;vt.派(兵)驻防 | |
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23 alias | |
n.化名;别名;adv.又名 | |
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24 hypocrisy | |
n.伪善,虚伪 | |
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25 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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26 impulsive | |
adj.冲动的,刺激的;有推动力的 | |
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27 illiterate | |
adj.文盲的;无知的;n.文盲 | |
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28 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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29 siblings | |
n.兄弟,姐妹( sibling的名词复数 ) | |
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30 abject | |
adj.极可怜的,卑屈的 | |
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31 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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32 stint | |
v.节省,限制,停止;n.舍不得化,节约,限制;连续不断的一段时间从事某件事 | |
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33 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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34 beckoned | |
v.(用头或手的动作)示意,召唤( beckon的过去式和过去分词 ) | |
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35 nominations | |
n.提名,任命( nomination的名词复数 ) | |
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36 feuded | |
vi.长期不和(feud的过去式与过去分词形式) | |
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37 overthrow | |
v.推翻,打倒,颠覆;n.推翻,瓦解,颠覆 | |
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38 steadily | |
adv.稳定地;不变地;持续地 | |
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39 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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40 dedication | |
n.奉献,献身,致力,题献,献辞 | |
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41 buddy | |
n.(美口)密友,伙伴 | |
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42 firmament | |
n.苍穹;最高层 | |
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