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GWEN IFILL: We're bombarded with advertising1 every day on TV, online, or just walking around the neighborhood. That's no accident.
The ad business spends over $160 billion a year on it. But even before the ad reaches your smartphone or whatever, manufacturers and other businesses are busy spotting trends before they take shape.
Economics correspondent Paul Solman went to California to take a peek2 at that for our weekly segment Making Sense, which airs every Thursday on the NewsHour.
DEEDEE GORDON, Sterling3 Brands: When we talk about trends, we're capturing what's happening in the culture. We're talking about what is happening with consumer behavior.
PAUL SOLMAN: And what companies need to know what to prepare what is next, says trend maven DeeDee Gordon, who advises many of America's largest corporations on brand building and new product development.
DEEDEE GORDON: We look for opportunity and for white space, an opening here for us to create something.
PAUL SOLMAN: OK. The first significant cultural transformation4 in Gordon's latest guide to the cutting edge:
DEEDEE GORDON: Gender5-untethered. A lot of people are talking about gender right now because of Caitlyn Jenner, because of Laverne Cox and “Orange Is the New Black.”
The next big movement is this idea of being able to move in and out of gender. There is this woman who's actually an actress on “Orange Is the New Black,” and her name is Ruby6 Rose, and she identifies as being gender-fluid. She has some videos that she has posted online where she transforms from being a woman into a man.
PAUL SOLMAN: And institutional America is beginning to respond to the gender untethered trend.
DEEDEE GORDON: Fifteen hundred universities now that have gender-neutral housing, gender-neutral bathrooms. Even when you think about corporate7 America and H.R., they're having to learn and understand a new vernacular8, like, what do you call a person who is a he one day and a she the next?
PAUL SOLMAN: As Gordon points out in her report, products marketed explicitly9 by gender can put up to half of potential sales at risk. But what might a gender-untethered product look like?
DEEDEE GORDON: I wanted to create a physical product that allowed you to be fluid. This doll allows you to change the gender as you like. This is just our way of kind of pushing an idea out there and getting people to think about it differently.
PAUL SOLMAN: Gordon is president of the Innovation group of Sterling Brands, part of the Omnicom advertising and marketing10 conglomerate11. She is based in the Los Angeles building that doubles as the set for a tech firm in the HBO series “Silicon Valley.”
But, to Gordon, one of the new trends is anti-tech, a growing desire for privacy.
DEEDEE GORDON: We call it conspicuous12 isolation13. People are feeling very overwhelmed by all of the data out there and so they are trying to find ways of being on the grid14 while being off the grid.
DEEDEE GORDON: There's a wallet called the Block-It and it allows you to put your tech device inside this sleeve, so that there are no signals that can get to your device.
NARRATOR: Block-It Pocket helps you maintain your privacy in an ever increasingly wireless world.
DEEDEE GORDON: There is a pair of jeans that they have actually sewn this material into the pockets. So, there's no way anybody can hack16 your technology.
PAUL SOLMAN: And in the near future, there might be a privacy helmet that prevents cameras from capturing the wearer's face.
DEEDEE GORDON: The privacy helmet is not a real product. When we report on a trend, we like to showcase evidence that is out in the world that brings the trend to life, but we also like to future-cast where we think this trend can go.
PAUL SOLMAN: Gordon has been trend-spotting since the late '90s, when she was profiled in The New Yorker and later featured in a “Frontline” documentary as a cool hunter.
DEEDEE GORDON: There's a group of people who would go out and scour17 the street, looking for the next big thing and take that information and report it back to large companies who were trying to design for new culture.
PAUL SOLMAN: Gordon no longer hunts cool, a job that has been transformed by the Internet and social media, she says.
DEEDEE GORDON: It gets out there and it's like, everybody has it.
PAUL SOLMAN: She now takes a longer view.
DEEDEE GORDON: When I do my trend research, I'm looking for larger-scale movements that aren't going to quickly like go away.
PAUL SOLMAN: Like technology itself. For example:
DEEDEE GORDON: Hyper-experiences, people's need to be more immersed in products and in brands.
PAUL SOLMAN: Virtual reality.
DEEDEE GORDON: Virtual reality, Oculus Rift18, even looking at theme park culture and like the expectation that people have when they go to theme park destinations.
MAN: My favorite part was the heat and the speed, the drop, the whole ride, the wind, everything. It was so awesome19.
DEEDEE GORDON: Even if you look at what is happening in home, like Sonos, an entertainment system. It allows you to have music or any kind of audio playing throughout your house. They have done a partnership20 with Philips, where it's now linked to lighting21, so you can create different moods within your own personal environment.
What is that going to mean for the workplace? What is that going to mean for automotive? What is that going to mean for when you go out and eat with your family on a Sunday night?
PAUL SOLMAN: A related trend, says Gordon, is life framing, taking pictures of your Sunday meal, for example, to post online.
DEEDEE GORDON: That trend is all about the documentation of experiences, how consumers are using photography to frame up these experiences to be able to elevate their status amongst their group of peers on their network.
Have you heard of Instasham?
PAUL SOLMAN: Instasham?
DEEDEE GORDON: It's a Web site where you can download pictures of any possible scenario22, like a wild party or a scene of hiking up a mountain. If I post it, then people are going to think that I did that.
PAUL SOLMAN: And what are the economic implications?
DEEDEE GORDON: Right now, consumers are more interested in experiences than in products. They want to be able to interact with other people. They want to be able to feel a connection. They want to be able to meet other people that feel — that are like-minded.
PAUL SOLMAN: In a phrase, experience over consumption, an example of the trend Gordon calls Frugeois.
DEEDEE GORDON: Frugeois, which is really our commentary on frugal23 living. Millennials are extremely conscious of what they're spending, so they want things that are cheap, but that are designed to function, last and look really good. Fast fashion products like H&M or COS, which is a kind of more adult line from H&M.
PAUL SOLMAN: And one final trend on which Gordon advises her corporate clients:
DEEDEE GORDON: Our bulklash trend, which is all about single living.
PAUL SOLMAN: Bulk?
PAUL SOLMAN: I see, so bulklash against buying in bulk.
DEEDEE GORDON: Correct.
If you're a single person and you're living in a small apartment with not a lot of storage, not a lot of capacity, like, you want to be able to buy just for you.
PAUL SOLMAN: And come to think of it, with baby boomers downsizing as well, this could be a trend for young and old alike.
This is economics correspondent Paul Solman reporting for the PBS NewsHour from Los Angeles, California, where I actually was.
点击收听单词发音
1 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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2 peek | |
vi.偷看,窥视;n.偷偷的一看,一瞥 | |
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3 sterling | |
adj.英币的(纯粹的,货真价实的);n.英国货币(英镑) | |
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4 transformation | |
n.变化;改造;转变 | |
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5 gender | |
n.(生理上的)性,(名词、代词等的)性 | |
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6 ruby | |
n.红宝石,红宝石色 | |
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7 corporate | |
adj.共同的,全体的;公司的,企业的 | |
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8 vernacular | |
adj.地方的,用地方语写成的;n.白话;行话;本国语;动植物的俗名 | |
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9 explicitly | |
ad.明确地,显然地 | |
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10 marketing | |
n.行销,在市场的买卖,买东西 | |
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11 conglomerate | |
n.综合商社,多元化集团公司 | |
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12 conspicuous | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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13 isolation | |
n.隔离,孤立,分解,分离 | |
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14 grid | |
n.高压输电线路网;地图坐标方格;格栅 | |
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15 wireless | |
adj.无线的;n.无线电 | |
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16 hack | |
n.劈,砍,出租马车;v.劈,砍,干咳 | |
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17 scour | |
v.搜索;擦,洗,腹泻,冲刷 | |
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18 rift | |
n.裂口,隙缝,切口;v.裂开,割开,渗入 | |
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19 awesome | |
adj.令人惊叹的,难得吓人的,很好的 | |
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20 partnership | |
n.合作关系,伙伴关系 | |
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21 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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22 scenario | |
n.剧本,脚本;概要 | |
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23 frugal | |
adj.节俭的,节约的,少量的,微量的 | |
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24 lash | |
v.系牢;鞭打;猛烈抨击;n.鞭打;眼睫毛 | |
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